CORPORATE & CREATIVE
BAHRAIN THIS MONTH
ADVERTS
INTERVIEWS
DOCUMENTARY
SHOWREELS
EVENTS
I spent an incredible 5 years working with Bahrain This Month, and will always consider GEORGE MIDDLETON as one of my greatest mentors – in business, standards and integrity.
From heading hundreds of interviews with some of the most prominent local and international cultural, business and diplomatic figures – to crafting creative advertising campaigns, directing historic documentaries and spearheading initiatives such as the WOMAN OF THE YEAR AWARDS PODCAST SERIES.
The platform and support to grow as a media director, as well as the networking and professional opportunities given to me by George and the entire team, remain invaluable to this day.
JOTUN PAINTS ARABIA
Jotun Paints has been a valued client for several years, combining high corporate standards with genuine creative freedom. Across creative campaigns, event coverage and behind-the-scenes productions, the trust of their entire team has allowed me to push my work further as a cameraman, editor and creative consultant.
IMPACT REAL ESTATE
Working alongside AJN PRODUCTIONS, we were tasked with completely reimagining Impact Real Estate’s social media presence through a more creative-led advertising campaign. We found that voice in their charismatic agent Ahmed, who became the face of the campaign and enthusiastically embraced our more unconventional ideas. Together, we turned otherwise routine real estate topics into engaging, personality-driven content designed specifically for social media.
CREATIVE ADS
PASSION TEA GARDENS
BAHRAIN TV x BREEF
CENTREPOINT x FATEMA REYADH
ROYAL RUMBLE x DJ SHANNON
MUSIC VIDEOS
This collaboration with South African singer King Qasim was a true labour of love. Built around the concept of “Nothing Is Real”, the project gave us complete creative freedom to push the visuals in any direction.
Much of the performance was filmed on green screen using multiple cameras, allowing me to build the world almost entirely in post-production – combining layered compositions, unconventional editing techniques and visual references to some of Qasim’s earlier work, including “DANCING ON MARS”.
The final piece took around 80 hours to edit over the course of a week, resulting in one of the most creatively ambitious projects I’ve had the pleasure to work on.